Suzanne G. Cusick, Selected Publications
On Early Modern Italy
"He Said, She Said? Men Hearing Women in Medicean Florence." In Olivia Bloechl, Melanie Lowe and Jeffrey Kallberg, eds. Rethinking Difference in Music Scholarship: 53-76. Cambridge, 2015.
“This Music Which is Not One: Inaudible Order and Representation of the Feminine in Francesca Caccini’s Primo libro delle musiche (1618),” Early Modern Women: An Interdisciplinary Journal 2 (2007), 127-164.
Francesca Caccini at the Medici Court: Music and the Circulation of Power. University of Chicago Press, 2009. 2010 Book Award, Society for the Study of Early Modern Women
Articles on Francesca Caccini, Settimia Caccini, Adriana Basile, Leonora Baroni, Raffaella and Vittoria Aleotti, etc. In Julie Ann Sadie, ed. The Norton/Grove Dictionary of Women Composers. New York: The Macmillan Press Limited, 1994.
"'Thinking from Women's Lives': Francesca Caccini after 1627." The Musical Quarterly 77/3 (1993), 484-507; Reprinted in Kimberley Marshall, ed. Rediscovering the Muses: 206-225. Boston: Northeastern Univ. Press, 1993.
"Women, Music and Power: A Model from Seicento Florence." In Ruth Solie, ed. Musicology and Difference: Gender and Sexuality in Music: 281-304. Berkeley: University of California Press, 1993.
Valerio Dorico: Music Printer in Sixteenth-Century Rome. Ann Arbor, MI: UMI Research Press, 1981.
“This Music Which is Not One: Inaudible Order and Representation of the Feminine in Francesca Caccini’s Primo libro delle musiche (1618),” Early Modern Women: An Interdisciplinary Journal 2 (2007), 127-164.
Francesca Caccini at the Medici Court: Music and the Circulation of Power. University of Chicago Press, 2009. 2010 Book Award, Society for the Study of Early Modern Women
Articles on Francesca Caccini, Settimia Caccini, Adriana Basile, Leonora Baroni, Raffaella and Vittoria Aleotti, etc. In Julie Ann Sadie, ed. The Norton/Grove Dictionary of Women Composers. New York: The Macmillan Press Limited, 1994.
"'Thinking from Women's Lives': Francesca Caccini after 1627." The Musical Quarterly 77/3 (1993), 484-507; Reprinted in Kimberley Marshall, ed. Rediscovering the Muses: 206-225. Boston: Northeastern Univ. Press, 1993.
"Women, Music and Power: A Model from Seicento Florence." In Ruth Solie, ed. Musicology and Difference: Gender and Sexuality in Music: 281-304. Berkeley: University of California Press, 1993.
Valerio Dorico: Music Printer in Sixteenth-Century Rome. Ann Arbor, MI: UMI Research Press, 1981.
On Music Disciplines
“Foreword.” In Ellen Koskoff, ed. A Feminist Ethnomusicology: ix-xi. Urbana: University of Illinois Press, 2014.
“Let’s Face the Music and Dance (or, Challenges to Contemporary Musicology).” In Jane Bernstein, ed. AMS at 75: 25-32. Brunswick, ME: American Musicological Society, 2011. Available on AMS website.
“‘Eve...Blowing in Our Ears’? Toward a History of Music Scholarship on Women in the 20th Century.” Women and Music 5 (2001), 125-139.
"Gender, Musicology and Feminism." In Nicholas Cook and Mark Everist, eds. Rethinking Music: 471-498. Oxford: Oxford University Press, 1999.
“Let’s Face the Music and Dance (or, Challenges to Contemporary Musicology).” In Jane Bernstein, ed. AMS at 75: 25-32. Brunswick, ME: American Musicological Society, 2011. Available on AMS website.
“‘Eve...Blowing in Our Ears’? Toward a History of Music Scholarship on Women in the 20th Century.” Women and Music 5 (2001), 125-139.
"Gender, Musicology and Feminism." In Nicholas Cook and Mark Everist, eds. Rethinking Music: 471-498. Oxford: Oxford University Press, 1999.
On Performing Gender, Sexuality, Music
"On Musical Performances of Gender and Sex." In Elaine Barkin and Lydia Hamessley, eds. Audible Traces: Gender, Identity and Music: 25-48. Zürich: Carciofoli Verlagshaus, 1999.
"Feminist Theory, Music Theory, and the Mind/Body Problem." Perspectives of New Music 34 (1994), 8-27; Reprinted in Adam Krims, ed. Music/Ideology: Resisting the Aesthetic: 37-56. Amsterdam: Gordon & Breach, 1998.
"On a Lesbian Relationship with Music: A Serious Effort Not to Think Straight." In Philip Brett, Gary Thomas and Elizabeth Wood, eds. Queering the Pitch: The New Gay and Lesbian Musicology: 67-84. New York: Routledge, 1994.
"Feminist Theory, Music Theory, and the Mind/Body Problem." Perspectives of New Music 34 (1994), 8-27; Reprinted in Adam Krims, ed. Music/Ideology: Resisting the Aesthetic: 37-56. Amsterdam: Gordon & Breach, 1998.
"On a Lesbian Relationship with Music: A Serious Effort Not to Think Straight." In Philip Brett, Gary Thomas and Elizabeth Wood, eds. Queering the Pitch: The New Gay and Lesbian Musicology: 67-84. New York: Routledge, 1994.
On Music and Torture
“Make Music Monthly with Suzanne G. Cusick,” a conversation with Aaron Friedman about Cusick’s work on the use of noise, music and gender coercion in the detention and interrogation of prisoners held during the 21st-century’s ‘War on Terror’ (2015) http://makemusicny.org/make-music-monthly/
“Towards an Acoustemology of Detention in the ‘Global War on Terror’.” In Georgina Born and Tom Rice, eds. Music, Sound and Space: 275-292. Cambridge: Cambridge University Press, 2013.
Cusick, Suzanne G., and Branden W. Joseph. “Across an Invisible Line: A Conversation about Music and Torture.” Grey Room 42 (Winter 2011), 6-21. Free Access on MIT Press website.
“’You are in a place that is out of the world’: Music in the Detention Camps of the ‘Global War on Terror.’” Journal of the Society for American Music 2/1 (2008), 1-26.
“Musicology, Torture, Repair.” Radical Musicology 3 (2008): 24 pars. Available on Radical Musicology website.
“Towards an Acoustemology of Detention in the ‘Global War on Terror’.” In Georgina Born and Tom Rice, eds. Music, Sound and Space: 275-292. Cambridge: Cambridge University Press, 2013.
Cusick, Suzanne G., and Branden W. Joseph. “Across an Invisible Line: A Conversation about Music and Torture.” Grey Room 42 (Winter 2011), 6-21. Free Access on MIT Press website.
“’You are in a place that is out of the world’: Music in the Detention Camps of the ‘Global War on Terror.’” Journal of the Society for American Music 2/1 (2008), 1-26.
“Musicology, Torture, Repair.” Radical Musicology 3 (2008): 24 pars. Available on Radical Musicology website.
